Dubya, Stoned

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Dubya, Stoned
http://www.slate.com/id/2202341/pagenum/2/
Why Oliver Stone had to bowdlerize our president's life story.By Timothy Noah
Updated Friday, Oct. 17, 2008, at 7:18 AM ET

There's a misapprehension abroad that W. is an Oliver Stone movie about George W. Bush. That gets it exactly backward. The life and presidency of George W. Bush were an Oliver Stone movie well before the director of JFK and Wall Street arrived on the scene. W. merely records that unassailable fact.


If this claim strikes you as tendentious, consider the following scene in W.: Late at night, a drunken 26-year-old Dubya is seen driving home with his 15-year-old brother Marvin. The two have been out carousing. Parking his car outside his parents' house, Dubya smashes into some metal trash cans. A light goes on upstairs. As the two brothers stagger inside, their stern-faced father is waiting for them.
Poppy (shouting): I've had enough of your crap!​
Dubya (raising his fists): Let's go mano a mano. Right here, right now!​

Could there be a more hackneyed example of Stone's penchant for musky histrionics? But it really happened. In the 1999 biography First Son: George W. Bush and the Bush Family Dynasty, former Dallas Morning News reporter Bill Minutaglio writes:
He'd been drunk, and he was out driving with his fifteen-year-old brother, Marvin. After he had rammed through the garbage cans with his car and walked in the front door of the house … he was ready, if it was going to be that way, to fight his father. He was from Houston, Texas, he was beery, he had no real career, it was late, and for most of his life he, more than anyone in the family, had been measured against his father, his grandfather, the Bush legacy. That night, he'd stood in front of his father, in the den, and asked his father if he was ready to fight: "I hear you're looking for me. You want to go mano a mano right here?"​

the New York Post, Reed Tucker fact-checked various scenes in W. Such truth-squadding is a standard journalistic genre (Slate's version is called "Life and Art") intended, in nearly every case, to expose the preposterous liberties that filmmakers, playwrights, and novelists take when they dramatize real-life events. Some liberties do crop up here and there in W. In one Cabinet-meeting scene, Condoleezza Rice (mimicked to comic perfection by Thandie Newton), while trying to buck up the president's spirits about his threadbare "coalition of the willing," tells him that Morocco has pledged to send thousands of monkeys to Iraq. This is based on a report in a Morocco weekly that was picked up by the United Press International wire service but never confirmed. The purported monkeys were trained to detonate mines. Even if Morocco really pledged to send these detonating monkeys, the Post's Tucker points out that none ever showed up in Iraq. A few other howlers that populated an early draft of the W. script ended up on the cutting-room floor.​

But most of Tucker's truth-squadding of the film's more ludicrous details reveals them to be true—a remarkable finding in a newspaper as conservative as the Post. That's my impression, too. Indeed, a few dramatic details in the film that struck me as cheap shots against our unloved president turn out, on inspection, to be either true or more plausible than I'd previously believed. Late in the film, Laura Bush tries to cheer up Dubya by offering to buy tickets to see "your favorite play." That turns out to be Cats. Oh, please, I thought. But wouldn't you know it, Dubya confessed to Frank Bruni of the New York Times that he adored Cats, and Bruni cruelly shoehorned that fact into his 2002 book, Ambling Into History: The Unlikely Odyssey of George W. Bush. I rolled my eyes at a scene in which Vice President Dick Cheney argues in a Cabinet meeting that the United States must depose Saddam Hussein because Iraq possesses the world's third-largest oil reserves. Asked for his exit strategy, Cheney says, "There is no exit. We stay." Spare me the Halliburton-conspiracy mongering, I thought. There is no documentation that Cheney thought this, much less said this. But among those who have little trouble believing Cheney would say such a thing, I've since learned, is former White House press secretary Scott McClellan. I'd somehow missed this nugget about Cheney, Iraq, and oil in McClellan's much-publicized confessional 2008 memoir, What Happened: Inside the Bush White House and Washington's Culture of Deception:​
Cheney was also heavily involved in eco­nomic and energy policy. He might well have viewed the removal of Saddam Hussein as an opportunity to give America more influence over Iraq's oil re­serves, thereby benefiting our national and economic security.​
Granted, this is speculation, not fact. But Alan Greenspan, in a September 2007 interview, told Bob Woodward of the Washington Post that before the war, he'd advised Cheney and others in the Bush White House that deposing Saddam Hussein was "essential" to "protect the oil supplies of the world." In Greenspan's 2007 memoir, The Age of Turbulence: Adventures in a New World, he complained that it was "politically inconvenient to acknowledge what everyone knows: the Iraq war is largely about oil." As for the proposition that the United States intended from the beginning to maintain a military presence around Iraq's oil fields forever, Jim Holt made that case surprisingly well in an October 2007 essay for the London Review of Books titled, "It's the Oil."
More than once, I noticed while watching W. that Stone and his screenwriter, Stanley Weiser, omitted details that make George W. Bush's story more Stone-like, not less. On the day after his 40th birthday, Dubya is shown suffering from a dreadful hangover; before the day is out, he will resolve never to drink again. That's true. His wife, Laura Bush, says sympathetically of his desire to quit drinking, "Everyone knows you're trying." But, in fact, Laura took a much more active role than that. According to her biographer, Ann Gerhart of the Washington Post, Dubya himself says Laura threatened divorce with the camera-ready words "Me or Jim Beam." (For the record, Laura denies it.) That's not in the movie! In another scene, Bush directs everyone in the Oval Office to pause for a prayer. But we don't see Bush speechwriter David Frum, who is Jewish, turning pale when a White House staffer says to his boss, Michael Gerson, "Missed you at Bible study." Frum has written that he found it "disconcerting" that "attendance at Bible study was, if not compulsory, not quite uncompulsory, either."

Some Stone-friendly episodes are bypassed altogether. One bizarre scene related by Barton Gellman of the Washington Post in his new book, Angler: The Cheney Vice Presidency, has warring administration factions racing to the hospital bed of a barely conscious Attorney General John Ashcroft. One faction urges him to sign his name to an illegal domestic wiretap plan; the other urges him not to. (He didn't, but the plan was implemented, anyway). Government dysfunction doesn't get more like the Marx Bros. than that. It's not in the movie.


W. portrays President Bush as a none-too-bright narcissist full of misplaced resentment because he doesn't measure up to his pedigree. But the movie doesn't include the most disturbing example I know of Bush's narcissism and resentment. That would be the passage in a 1999 Talk magazine profile by conservative writer Tucker Carlson in which Bush, then governor of Texas, mimics contemptuously the desperate pleas of Karla Faye Tucker—a murderer on death row—that Bush spare her life:
In the week before [Karla Faye Tucker's] execution, Bush says, Bianca Jagger and a number of other protesters came to Austin to demand clemency for Tucker. "Did you meet with any of them?" I ask.​
Bush whips around and stares at me. "No, I didn't meet with any of them," he snaps, as though I've just asked the dumbest, most offensive question ever posed. "I didn't meet with Larry King either when he came down for it. I watched his interview with [Karla Faye Tucker], though. He asked her real difficult questions, like 'What would you say to Governor Bush?' "​
"What was her answer?" I wonder.​
"Please," Bush whimpers, his lips pursed in mock desperation, "don't kill me."​

Sometimes I marvel at the fact that Bush was able to get himself elected president—or even keep his job as governor—after making such a shocking statement. When the piece appeared, Bush quickly denied he'd said it, but he was very unconvincing. ("He just misunderstood how serious that was. … I think he misinterpreted my feelings. I know he did.") The press, as I've written before, stopped repeating the story not because it's untrue but simply because it seemed too ugly.​
I suspect Stone felt the same way. W. is the rare Oliver Stone film that had to tone down the historical record because the truth was too lurid. How the hell do you tell the uncensored story of a guy like George W. Bush? No one would believe it.​

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Yes, we're all so sad to see him go.:rolleyes:
The Bush Presidency does seem like something out of MAD Magazine.
 
I'm sure you'd be equally as excited to learn that David Duke was producing a "biography" of Obama too?
 
David Duke, Proud Republican

Published: May 1, 1999

To the Editor:
Republican discomfort over David E. Duke's Congressional candidacy (news article, April 29) cannot be explained solely by the fact that he has aligned himself with the Republican Party and that many of his positions are widely accepted in the party.
Although the Republican National Committee and leading national Republicans have disavowed Mr. Duke, his racism and his anti-Semitism, the Republican Governor of Louisiana, Mike Foster, has repeatedly refused to criticize him, remarking that several Republican candidates in the open primary are friends.
So long as a Republican as prominent as Mr. Foster can accept Mr. Duke's candidacy, Republicans everywhere must accept the risk that they will be identified with Mr. Duke's obscene views.

PHIL BAUM
New York, April 29, 1999

The writer is executive director of the American Jewish Congress.
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So David Duke is your retort to Oliver Stone?
At first we think Stone made a farse but it seems truth is stranger than fiction.
 
I don't know how to respond, because I don't know what your point is?
And you failed to respond to mine.

Oliver Stone made a movie about Bush based on his feelings, his hunches, and by taking any negative accounting and exaggerating it for dramatic effect.

To further complete this ridiculous farse, he cast Barbara Streisand's step-son as Bush, and left wing kook Richard Dreyfus as Dick Cheney.

This is film is propaganda. And the tragedy is that a crappy movie like this one will be accepted not for what it is, but because it's on film, will be considered some kind of historic portrayal. Which it is not.

My point was pretty obvious. Why don't we find someone who absolutely HATES another person and ask them to make a "biographical" movie about them. Then we'll pretend it's accurate because it conforms with your idiotic imaginary view of the man.

Oliver Stone has a record of making "historical" moving that have no bearing on the actual history. Unfortunately, because of the power of film, people actually think JFK is an accurate recreation of events. And that Nixon is an accurate reflection of events. And now that W. isn't just a dramatization based on Stone's perception of a real person, but a historical document.

It's a shame. Because Stone is a lying, nutty, propagandist.
 
You know, I believe that One Million Years BC is historically and scientifically accurate :)
 
It seems only the left can make commercially successfull movies that get their point of view across.
Movies are magical and spread american culture around the world.
Too bad the right doesn't have talented people who can entertain while spreading their message.
 
It seems only the left can make commercially successfull movies that get their point of view across.
Movies are magical and spread american culture around the world.
Too bad the right doesn't have talented people who can entertain while spreading their message.

Actually, it's a shame that there is a culture in place in Hollywood that black lists openly conservative talent and refuses to greenlight movies that portray America in a positive fashion.
 
Examples?

http://www.washingtontimes.com/news/2008/aug/04/blacklist-now-ii-enemy-of-the-state/
excerpt
...In his newfound voice, Mr. Voight also boldly warns of the consequences of electing the current antiwar candidate: "If, God forbid, we live to see [Barack] Obama president, we will live through a socialist era that America has not seen before, and our country will be weakened in every way."

It was the type of commentary that escapes scrutiny when submitted on the hour by left-wing celebrities at the exclusionary and often vitriolic Huffington Post (a site that I - gulp! - co-created). But since these ideas came from the rarest of pontificators - an open Hollywood conservative and an apostate liberal - Mr. Voight was swiftly attacked by establishment entertainment journalists expertly wielding the tools of the new McCarthyism.

The Los Angeles Times, the Hollywood Reporter, Entertainment Weekly and People magazine alum Jeffrey Wells led the charge. At his influential Web site Hollywood-Elsewhere.com, Mr. Wells wrote, "If I were a producer and I had to make a casting decision about hiring Voight or some older actor who hadn't [ticked] me off with an idiotic Washington Times op-ed piece, I might very well say to myself, 'Voight? Let him eat cake.' "

In the hopes of exacting blood, Mr. Wells went well below the belt by attacking Mr. Voight's parenting skills. And for what? Because one citizen expressed his contrarian political opinion in a town that doesn't embrace free speech anymore.

"I finally get what Angelina Jolie has been on about all these years. (I think.) Most people reading the Voight piece will say, '[OK], the Times gave him the rope, and he hung himself.' But you'd think an archconservative working in an overwhelmingly liberal town would think about restraining himself for expediency's sake, if nothing else," Mr. Wells wrote.


http://www.youtube.com/watch?v=HJ8ogAeUUkE
 
http://www.washingtonpost.com/wp-dyn/content/discussion/2008/09/01/DI2008090101813.html

Election 2008: Republicans in Hollywood
Andrew Klavan
Conservative Author and Screenwriter
Tuesday, September 2, 2008; 2:00 PM

Conservative author and screenwriter Andrew Klavan was online Tuesday, Sept. 2 to discuss Hollywood's hidden Republicans and the 2008 election.

A transcript follows.

Klavan is author of the new thriller " Empire of Lies." Two of his books, "True Crime" and "Don't Say a Word," have been adapted into major studio films.

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Andrew Klavan: Hello from the west coast. It's nice to be here and I'll start answering questions now as fast as I can type.

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Washington: From the outside looking in, Hollywood appears to be anything but a meritocracy -- it seems like one of the ultimate "good ol' boy" networks. How does that, if it does, contribute to the seemingly overwhelming majority of big-name Hollywood types who align themselves with the left?

Andrew Klavan: Hollywood's no meritocracy, that's for sure. People repeatedly "fail up" and are frequently promoted for disastrous decisions, especially if they win "prestige" points from the media. That - and the internationalization of the markets - have helped liberals continue to turn out products America doesn't particularly want. They may not do well at the box office, but they win awards and praise, and get big audiences in Europe.

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Boston: Hello Mr. Klavan -- I thought it was really gutsy of you to write "Empire of Lies," and I loved it. I'm wondering if any secret Hollywood conservatives have reached out to you after reading it? If so, what did they say?

Andrew Klavan: Thanks for that. And yeah, Hollywood conservatives - and conservatives in the arts in general - get in touch with me a lot, often just to thank me for opening my big mouth. It's an odd situation, especially in a democracy, when the people in the majority feel they have to be careful what they say for fear of an elite minority.

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Gary Sinise's living room: Andrew, while many stars/directors/writers espouse liberal views, aren't many of the studio heads and entertainment executives Republican? If the head of Viacom is a conservative, wouldn't that level the playing field? It seems that they ultimately would greenlight projects based on the dollars raked in. With movies critical of U.S. foreign involvements bombing in the box office, would there maybe be a sea-change?

Andrew Klavan: I wish it worked that way but it doesn't. First of all, I believe most of the town's decision makers are on the left. But even if that's not so, they still have to contend with a massive leftist intellectual superstructure. Bring out a movie with openly conservative, or even just pro-American, views, and you will be slaughtered by the critics. Check out the reviews for flix like "Tears of the Sun" or "Not Without My Daughter." Rather than fight the critical tide, filmmakers prefer to either bury their opinions or make "prestige" leftist pictures that win praise.

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Virginia: Hello. I wondered why and how liberals can be rich if they are anti-capitalism and anti-business? And most actors/actresses in war movies tend to be Republicans, no?

Andrew Klavan: Well, I wish I knew. It does seem to me a lot of people earn a lot of money off our wonderful capitalist system, then start to attack it as unfair. Maybe it's a way of displaying what righteous folks they are - I just don't know. And I don't know the affiliation of the actresses in war movies, but it does seem to me that most recent war movies have been against our war efforts.

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Harrisburg, Pa.: I am very interested in screenwriting and wonder how you got into it. Did you find many political discussions among screenwriters, and did you ever detect any political pressures against conservatives in Hollywood?

Andrew Klavan: I was dragged into screenwriting against my will. I sold a novel, The Scarred Man, to the movies and a producer read it and said to me, "I'll pay you to write any movie you want." I didn't realize I'd just been struck by lightning, so I said, "Nah. I just wanna write books." Shocked, she asked me, "Is there anything you'd write?" And I said, "Yeah. I'd adapt Simon Brett's novel A Shock to The System." So she optioned it, I wrote it and they filmed it - and I thought, hey, this is easy!

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San Diego:"True Crime" and "Don't Say a Word" are two of the best thrillers I've ever read. Do you plan on writing any more novels of this nature?

Andrew Klavan: Thanks very much. And in fact, I feel "Empire of Lies," is in that mode. I got away from it for a while because I wanted to do the Weiss/Bishop detective stories, but now I hope to stick to the thriller form for a while.

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San Jose, Calif.: Isn't it wonderful to live among the liberals in Southern California and New York City and rail against their attitudes toward the people living in flyover country? If you want to live and work in Hollywood and keep criticizing the liberals there, doesn't that make you a hypocrite? Why don't you practice what you preach and move to Alabama or Mississippi? Wouldn't you be with people who share your values?

Andrew Klavan: I was unaware of the new laws that allow only people of certain political opinions to live on the coasts. Like most Conservatives, I prefer living among people of all kinds of views because I know if we argue, I'll win on the merits. I've never understood liberals' insistence that only they should get to speak - or live in California - or make movies - or do anything else.

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Madison, Wis.:"It's an odd situation, especially in a democracy, when the people in the majority feel they have to be careful what they say for fear of an elite minority." With all due respect, what are you fearful of? Losing your job? Being physically attacked?

Andrew Klavan: lol, well not being physically attacked - but thanks for asking. Many people in Hollywood are fearful because they want to work in the movie industry very badly and they feel they will not be hired if they're known to be conservative. The same is true in book publishing, where it's difficult to get conservative books, especially novels, published. And when you do, you get attacked. My novel "Empire of Lies" was deemed the work of "a right wing crackpot." That's the sort of thing that scares people.

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Baltimore: I've heard it said that being a good actor requires you to imagine yourself as someone else, to live inside their own skin -- and that once you develop the ability to do that, it's tough not to become your brother's keeper, and act politically liberal. What is the conservative philosophical response to this?

Andrew Klavan: Well, with all respect, I think it's nonsense. It's based on the assumption that conservatives don't care about their fellow man. When we see the way welfare destroys neighborhoods and families, when we see how a weak defense invites truly wicked people to attack the free, when we see how big government destroys liberties, we conservatives feel that liberalism is a way of feeling good without actually doing good. (Plus, I'm sorry, but the idea of actors as role models of caring... well, I'm not sure you've ever met any actors!)

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Washington: Mr. Klavan, what message does the Republican vice presidential nominee's family, lifestyle and role as an official send to the public when it addresses multiple marriages, kids having kids and shiesty politics within their party after being elected? It sounds very familiar to the "Wealthy Code of Conduct" to a middle-class-family member such as myself.

Andrew Klavan: I'm not sure exactly what you mean. I like Sarah Palin because of her history as a reformer and her principles in standing up to corruption in her own party. I admire her for sticking to her principles on abortion too when she found herself pregnant with a Down Syndrome child. It seems to me that both she and McCain are people of principle - and I don't believe that's true of Senator Obama who has kowtowed to the Chicago machine and followed a minister with a truly hateful philosophy. If you're referring to Governor Palin's daughter getting pregnant, well, I don't see that has much to do with anything frankly.

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New York: Movies are a global enterprise. Many films have about half their profits from outside the United States. Is it thus reasonable for the movie industry to consider its entire global market?

Andrew Klavan: Sure it is. And by the way, I don't want them to stop making liberal movies! I simply want them to make all kinds of viable movies. It seems to me only the left that wants to censor the opposition, bring back the Fairness Doctrine, shut down Fox News, etc. What I want is a free market of ideas. I do, however, believe that, while filmmakers are within their rights to make anti-war films, it is morally wrong to do so when American soldiers are at war and in harm's way.

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Eight Years: The Bush administration has been in power for eight years, and many people -- from both sides of the aisle -- are unhappy with the results. Adding to that, you have the opaque way in which they conduct office and the questionable things they've done re: torture policies and spying. And no amount of criticism, regardless of how much of the population is looking for something different, seems to affect the administration's decisions. How is it anything other than expected when movies are made to criticize the government? They're just not doing that great of a job. And by the way, "Not Without My Daughter" was just not a great movie.

Andrew Klavan:"Not Without My Daughter," was not a great movie, but a very good movie - as NY Times critic Vincent Canby admitted many years after he trashed it for its honest depiction of Islam. As for the Bush administration, it has done much I like and much I don't like and, as I say, it wouldn't bother me at all if there were movies taking both sides. I simply feel that Hollywood is a one party town. That's wrong when they are producing our most popular form of entertainment and the product that represents us to most of the world.

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The Market Speaks: It's interesting how many anti-war movies are released to the marketplace, never to be seen again. At what point do (or should) the Hollywood powers-that-be decide to listen to the people who actually buy tickets and stop with the polemics?

Andrew Klavan: LOL, well exactly. Listen, I'm sure those pictures make some of their money back overseas. But movies that told the truth - American soldiers are bravely defending the principles of liberty against the genuine evil of Islamo-fascism - would make fortunes both here and overseas, I would bet.

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New York: Did you just claim Hollywood is not motivated by commercial success? What a complete tool you are!

Andrew Klavan: Well, thanks for putting that so politely. But I'm sorry, while you may be right about me, you're wrong about Hollywood. Ideology, the desire to be loved by elites, the desire to win praise and prestige - all these things skew the profit motive. If not, you explain to me why close to a dozen disastrous anti-war on terror films have been made, and not one truly supporting America in the war on terror.

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Re: "Not Without My Daughter": I am a total left-leaning progressive, and I loved that movie! The story was intense and the acting was bonkers-good.

Andrew Klavan: Agreed - and I hope this is the beginning of your reformation! (Just kidding. Sort of.)

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Washington: Do great skin, excellent highlights, and suggestive glasses a good vice presidential choice make?

Andrew Klavan: LOL! No, if that were true, I'd've been in office years ago!

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Minneapolis How does one reconcile the notion that "big government destroys liberties" with support for today's so-called conservatives? They have done nothing but expand the government -- far more than Democrats did in the 1990s, and in far more intrusive ways as well. Today's conservatives have sold us fear and appealed to our basest instincts, instead of appealing to the best in us.

Andrew Klavan: I half agree with you. The expansion of government under the Bush administration has been a shame and, in my opinion, is chiefly to blame for GOP losses in congress. On the question of fear, no, I can't agree. It is not appealing to fear to honestly assess the threat from Islamo-fascism which, after all, has already taken a toll here greater than all IRA terrorism against England combined. Plus if you read Bush's speeches, he frequently appears to the very best in this country - including the courage required to defend it.

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Chaska, Minn.: I don't see a whole lot of "principle" in John McCain's flip-flops in recent years. Candidate McCain wouldn't vote today for the immigration bill Sen. McCain wrote. Why? Not because of "principle," but because of politics -- McCain was getting nailed for it and languishing in the presidential race. Candidate McCain favors the Bush tax cuts that Sen. McCain voted against, even though history has shown that Sen. McCain's criticism of the tax cuts were spot-on. McCain as the "principled maverick" makes for a good screenplay, but it's every bit a work of fiction.

Andrew Klavan: No, can't agree. First of all, the Bush tax cuts are responsible for a very long run of growth, jobs - and increased government revenues. If the administration hadn't spend a lot of that on increased entitlements, we'd be even better off. McCain was wrong on immigration and listened to the people, which is only right. On the economy, I'm not very happy with either McCain or Obama... but at least McCain doesn't talk about stealing people's profits to make things "fair," which is not the philosophy of free men and women but of envious children.

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I do, however, believe that, while filmmakers are within their rights to make anti-war films, it is morally wrong to do so when American soldiers are at war and in harm's way.: On the contrary, that is exactly the time to make such movies, to get them out of harms's way -- especially if the war itself is morally wrong.

Andrew Klavan: You can express your opinions without creating propaganda that helps the enemy. I was embedded with the troops in Afghanistan and saw how important the good will of the native people is to fighting these truly vicious insurgents. The best way to get the soldiers home is to win the war.

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Panned by critics: So then was "The X Files" a conservative-inspired movie? Seriously, I don't mind if people in Hollywood are conservatives or liberals. In fact, I just don't care. What does bother me is when people in a position of fame speak out with disrespect and flat-out disdain for our elected officials (Obama included ... I'm looking at you, Stephen Baldwin). I might have negative things to say, but I am a nobody -- my words aren't amplified. That doesn't mean that anyone should be muted or muzzled ... it's just that when you make your money off of your fame, be prepared to have people not wanting to spend their money "on" you.

Andrew Klavan: Well, I think everyone has a right to express his opinion. I think anyone who gives that opinion more weight because the speaker is a good actor or writer or is handsome or whatever, is making a serious mistake. And yes, of course you're right, the audience has the right to turn its collective back on anyone they disagree with. But if people are going to make movies expression political points of view - and how can they not - then let all pov's be expressed.

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"Tears of the Sun": I was about to mock you for such a dated film reference (along with "Not Without My Daughter"), until I realized that they truly were the ONLY movies lately with conservative viewpoints. "Black Hawk Down" was mostly apolitical -- it threw a glancing punch at the Clinton Administration, but that's a matter of historical record, not viewpoint. Other than "24," which gets a ton of flack from TV critics and leftist pundits, there really isn't anything out there.

Andrew Klavan: That's right. And look at 24 - it's gotten more and more liberal. Joel Surnow, the genius behind the original show, has been tossed out.

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Anonymous: Entertainment and Politics are now so closely wed that the next logical step is a President Clooney. The line between paparazzi and the press will no longer matter, and maybe things will finally get done on budget!

Andrew Klavan: Hollywood? On budget? Well, if you say so. But does it have to be Clooney. How about Clint Eastwood? As far as I'm concerned, he can be president any day.

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Southern Maryland: How does one criticize liberalism in Hollywood while avoiding the rhetoric that fundamentalist commentators use? Terms like "anti-Christian entertainment elite" sound like code for anti-Semitic myths, because books by Pat Robertson and Tim LaHaye traffic in such myths. Also, I had the impression that most studio executives were much more conservative than the actors and writers and producers. Is this your impression as well?

Andrew Klavan: Not really, no. People have this idea that rich people are conservatives - that doesn't seem true to me. The average contribution to the Dems is always much, much higher than the average contribution to the GOP. And in any case, the power wielded by stars in Hollywood really does counterbalance corporate power. And, you know, I despise anti-semitism and all forms of bigotry - but it seems to me there's a lot more bigotry against Christians in Hollywood than anything else.

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Minneapolis: Speeches are one thing, actions are quite another. One's words ring hollow when one says "we don't torture" and then it's found out that we do. Or when one says "we follow the law" and then it's found out that FISA law is ignored. Even if the law is wrong, that doesn't give you the right to break it. We told Bill Clinton that in the '90s, then turned away as Bush broke the law this decade.

Andrew Klavan: Hey, be critical of the government all you want. As I say, I want a free market of ideas. But I will say (and my novel Empire of Lies makes this point) that an action is not moral if it allows you to feel righteous but destroys others. It may feel like it's right not to torture someone, but if by torturing someone you can save a thousand lives... well, it's a more complex question.

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Sarah as Geena?: I read something this weekend (it was rainy here in Fla) that compared Gov. Palin to the Geena Davis character in that awful show where she wound up as a "great" president after the old man died. I woulda thought Hollywood would have been self-searching and introspective and would have seen the parallels. They're smarter than us, right?

Andrew Klavan: Smarter, richer, better looking... that's why they run their lives so well.

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Fairfax, Va.: I haven't read your book, only this chat. There have been dozens of small movies that went big seemingly because of nothing more than word of mouth. If -- as I think you are saying -- the right has stories that are being suppressed, why don't they take that route? Could it be that good movies are good movies regardless of the political persuasion of writer/director/actor? Could it be folks just want to see good movies regardless of who writes/directs/acts in them? It seems as if you're saying that Hollywood businesses aren't in it to make money, just to promote an ideology. I can see some folks willing to pony up their money for a movie that they think has to/needs to be made, but a whole industry? I think not.

Andrew Klavan: No, no, of course they're in it to make money - what I'm saying is that many things, including leftist ideology, sometimes skew that motive. And listen, making movies is a multi-million dollar proposition. You can't depend on word of mouth. You need a structure of promotion and distribution. Some of that's changing - and as it changes, you'll see more and more varied movies made. I look forward to the day.

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Take a human perspective: I think that movies can and should be made that look at more than boundaries of countries and see boundaries of class and gender. "Persepolis" was a very good movie that is critical of some of the more stifling aspects of Iranian culture. I find fire-breathing, preachy movies from either side to be unpalatable. I don't see how people wouldn't like something that is reasoned. Would you put "Hunt for Red October" and its like in the category of films not being made now because of the political climate?

Andrew Klavan: I don't like preaching either. And I'm happy to see movies about other cultures. But I find it galling that, for instance, a million and a half movies are made about McCarthyism, but barely one about the Gulags of the soviets. I find it absurd to compare American foreign policy - even at its worst - with an Islamo-fascism that seeks to destroy liberty and decency throughout the world. There are Christian anti-semites I know - but a Christian anti-semite is being a bad Christian, whereas an Islamist anti-semite is doing just what he should! These things matter and shouldn't be confused.

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Weekly Standard article: Mr. Klavan, did you read the Weekly Standard article about Jeff Zucker's right-wing spoof? It sounds like a painfully unfunny movie; plus, it's giving Robert Davi another paycheck. In all seriousness, I admire people trying to swim against the tide, but what else (realistically) can be done for conservatives to get their voices heard? More tolerant showrunners and studio heads?

Andrew Klavan: Actually, I saw a few scenes from the Zucker movie and they made me laugh... but I'm a sucker for his sort of thing. And to begin with, I think it would be helpful in Hollywood to recognize that certain "stars," (George Clooney comes to mind) aren't really stars at all - in the sense that people go to see their movies. Clooney's movies bomb repeatedly, unless he's surrounded by other big name actors, so why give him the power that he has to greenlight films? If Hollywood made economic sense, I think it would begin to make more political sense as well.

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Chaska, Minn.: Oh, come on -- now you're just making excuses. If McCain believed he was right on principle on immigration, he should have fought for it even if it was unpopular. Isn't that what you salute Bush for doing in the war on terror? And how can you honestly exalt the Bush record on the economy -- it's the worst recovery in the post-World War II period!

Andrew Klavan: Uh, the remark on the economy just doesn't fit the facts - it simply doesn't. And on McCain - look, you can pick and choose your points, but I think it's pretty clear he's lived a life of patriotism and principle. Flawed like everyone, but still... I simply don't think the same thing is true of the opposition. I don't always feel this way about the left, but I do this time. Obama's history is deeply troubling. McCain's is not.

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Bethesda, Md.: Gov. Palin's story would make a great movie, especially all of the drama of the past few days. I heard that somebody else is claiming they won Miss Congeniality, not Palin -- that is earth-shattering.

Andrew Klavan: I think it was McCain!

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Washington: If conservatives and Republicans hate government so much, why do they run for office? I'd much rather put someone in the job who at least believes in what they are doing. Put a Republican in office, and they're like a square peg in a round hole -- they have no idea why they are there.

Andrew Klavan: For me, the real problem is that they get in office - and suddenly forget that they want small government! If they stuck to their principles, they'd do a lot better at the polls.

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Washington: When will you right wing Hollywood buffoons admit that you're not good, and people just don't want to see your mediocre stuff? Did you see the "celebrities" who attended the McCain fundraiser? With the exception of Jon Voight, they all were third-rate actors -- some of them lucky to still be employed.

Andrew Klavan: This seems to me to be the argument of all people who want to exclude the opposition. We used to hear that blacks couldn't be baseball managers or football coaches - they just didn't have what it took. We used to hear women couldn't run businesses or whatever... no, in Hollywood, we hear that conservative principles magically strip you of your talent. We see conservatives repeatedly discouraged and excluded... and then wonder why all the big names are liberal. It's just not a good argument and never was.

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Andrew Klavan: Okay, folks, my fingers are tired and it's lunchtime out here. Thanks for stopping in. I hope you enjoy "Empire of Lies." Have a nice day.

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And to address the tired, untrue argument that economics drives the film industry:
http://www.michaelmedved.com/site/product?pid=19114
Analysis: R-rated films hurt box office
By: Steve Sailer
Friday, Mar 22, 2002
......
"Every single year of those 11 years without exception, R-rated movies have done the worst on average at the box office of any rating," Medved said by phone from his Seattle radio studio. "It's a very significant difference."
......
66 percent of all movies rated by the MPAA in 2001 still earned an R rating. Yet, box office business has shifted sharply toward films with less restricted ratings. Out of 19 $100 million grossing releases in 2001, three (16 percent) were R-rated. That's down from six in 2000 and 10 in 1999. In the 1990s, 38 percent of the $100 million movies were R-rated.
......
Yet, why did the movie industry so long persist in its unprofitable love affair with R-rated films?

Medved suggested, "Hollywood is a very insular community. People make movies for each other. To impress one another. To win awards. It's very tough to win an Oscar without an R-rated movie. Whether it's "Traffic" or "Gladiator" or "American Beauty" -- "Shakespeare in Love" was R-rated!"
.......
Medved explained, "It's much harder to get critical acclaim with family-friendly product. And, yes, box office is important, but critical acclaim is important too, although, it's important for psychic reasons rather than financial reasons."
 

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